Thisfilm was atrocious. I can't believe how much they dropped the ball on this one Let me explain the positives/negatives. Positives: 1. The scene with Reed and Ben as kids was handled okay. 2. FantasticFour PG-13 2005, Action/Adventure, 1h 46m 28% Tomatometer 214 Reviews 45% Audience Score 250,000+ Ratings What to know critics consensus Marred by goofy attempts at wit, subpar acting, Tweet S o appallingly dull that even a third-act parade of exploding heads can't rouse interest, Fantastic Four may be the most minor Marvel Comics film yet. And at this dispiritingly late date, that's saying something indeed. It also adds more grist for the mill to the notion that studios don't hit the big red "reboot" button in any TheFour fight amongst themselves and take off for separate adventures, occasionally coming together for unbelievably convenient collisions. Ben's story is the most compelling, while the others' issues become repetitive. The film also includes its share of logical inconsistencies, as well as overly familiar and underdeveloped themes. Directedby Josh Trank on a script co-written by he, Slater and Simon Kinberg, the film received largely negative reviews from critics and audiences alike and was a box office bomb, only grossing $168 million against its $150 million budget. Pertama ini film superhero. Kedua, Josh Trank menjanjikan tone film yang lebih serius. Ketiga, ada nama Phillip Glass diantara komposer musik latar. Dan keempat, saya tidak mau terpengaruh dahulu dengan efek bola salju dari review-review negatif. Saya mencoba. 1) Kekhawatiran awal dan utama saya adalah masalah durasi (1,5 jam). VcpL. Fantastic Four Maybe "Fantastic Four" is a cursed property, or maybe just one that shouldn't be turned into a film? In any case, this new version, directed by Josh Trank, is the third major big screen attempt to tell the story of Reed Richards, Sue and Johnny Storm, Ben Grimm aka The Thing and Dr. Doom, the core characters in one of Marvel Comics' most durable properties. The good news is, it's short. The bad news is, it feels longer than an afternoon spent at the DMV—and at least at the DMV, you can pass the time by people-watching. There are no people to watch in "Fantastic Four," only collections of character traits and attitudes brought fitfully to life by actors who might've mistakenly thought they were hitching a ride on the superhero movie gravy train by signing up for this misfire. The movie starts off on an intriguing note, with 11-year old Reed Richards and his buddy Ben Grimm meeting for the first time when Reed sneaks into Grimm's family's junkyard to steal a transformer he needs to build a tiny teleportation device. Then the movie flashes forward to the present day, with Reed, now played by Miles Teller, and Ben, played by Jamie Bell, wreaking havoc with their invention at a science fair. Although the machine browns-out the power and creates an unnerving rumble and shatters a backboard in the gymnasium, it's an impressive enough display to cause Dr. Franklin Storm Reg E. Cathey to hire Teller to work at the Baxter Institute, which has been trying to solve the mystery of Planet Zero, the place where Reed's teleported objects always end up. The next hour of the film is another superhero origin story, introducing the doctor's two kids, the super-intelligent, science-minded Sue Storm Kate Mara and her juvenile delinquent brother Johnny Michael B. Jordan, who's introduced in a street race that feels like an outtake from a "Fast and the Furious" movie. The comic's arch-villain Dr. Victor von Doom what a name; wonder if he changed it from "Vahndüm"? is also part of the team, and if you know even a little bit about the source material, you wait for the other iron boot to drop and turn him into an all-powerful megalomaniac. Doom used to be Sue's boyfriend and doesn't take kindly to the way she and Reed banter over keyboards and monitors. He's played by Toby Kebbell, who, to borrow a line from Andrew Sarris, looks like half the waiters on Melrose Avenue, but is quite good. His world-weariness and punk-Byronic glowering contrasts appealingly against the blandness of the other characters—even Jordan's Johnny, who's supposed to be a hot-rodding bad-boy a la Han Solo but reads, rather like Chris Evans in the last "Four" films, like a muscular male ingenue who occasionally quips and a while, anyway, "The Fantastic Four" seems to be re-conceiving the superhero movie as a scientific mystery-adventure about how to solve the puzzle of the teleportation gate, send a manned mission to Planet Zero, and see what's there. This is only a partially effective approach, though, because the characters are so flat that not even this gifted cast can fill them with life, and because we're waiting for the characters to gain superpowers and figure out how to master them and then become a team. The latter is the whole point of an origin story, which has been rightly rapped as an overdone and mostly unimaginative movie template, but that still provides basic satisfaction when properly executed. You don't put the "getting powers" part an hour into a movie, as this one chose to, for some cockamamie reason, postponing the inevitable disastrous manned mission to Planet Zero, which is filled with body-warping cosmic radiation, until long past the point when anyone particularly cares about it. And after you've given your heroes and your bad guy their powers, you don't then suddenly veer off in another direction and make, essentially, "Fantastic Four, Part II," pitting the foursome which now includes the orange, rock-skinned super-tough-guy Ben against Doom in a series of battles that are packed into the space of about fifteen minutes, look and sound and feel unoriginal and cheap, and don't even explore the characters' abilities, and their emotional response to those abilities, in compelling ways. Ben in particular is ill-served. He doesn't have any of the personality demonstrated in the comics and even in previous film versions. He's just a quiet, nice guy, a stick figure, even when he's transformed. And once he is transformed, the film doesn't spend one minute asking what it's like to suddenly be a giant, rock-encrusted monster with stony Muppet lips. Ben just seems to be all right with it. I've heard of easygoing, but this is ridiculous. He acts like somebody gave him a haircut he didn't like. Oh, bummer, I wish this could grow blame for a disaster is always a tricky thing in reviews. Unless critics have intimate inside knowledge of everything that happened during a production, they end up citing other people's reported articles, which might or might not be accurate, depending on who's supplying them with facts, or "facts," and what their agendas are. We do know that Trank got fired off one of the "Star Wars" spin-off films, that he a producer on both that film and "Fantastic Four" don't like each other, that his enemies have painted him with the dreaded adjective "difficult", and that "Fantastic Four" underwent extensive re-shoots in the months leading up to release and Trank was not present for them. All of this complicates typical sentences in film reviews that treat the director as the captain of the cinematic ship rightly or wrongly. That's why I've said "the film" does this or that rather than "Trank". I have no idea why this movie is so terrible, only that it is terrible, and there is no joy in noting the terribleness of a film. A lot of people spent a lot of time and energy on "The Fantastic Four" and the result just sort of lies there. The tone and structure of "Fantastic Four" should be studied in film schools as an example of what not to do. It's as if somebody took two pretty-decent feature length movies, broke them into pieces, and re-edited them into one film, but without any discernible plan beyond "get this down to 90 minutes." This is not a shortness issue, though. It's an everything issue. I'm not convinced that the movie's problems could have been solved with more scenes. Better scenes, definitely. And better characters. And better dialogue. Teller and Mara and Jordan and the rest are excellent actors; we know this from seeing them in other movies. If you encountered them here for the first time, you'd wonder what anyone saw in them. There is a whorishness to the big-budget superhero genre right now, a palpable sense of opportunism and greed that gives even the most earnest entries a faintly cynical veneer. Movies like this one, which show no outward evidence of having been created for any reason except to make money, do nothing to dispel that. The Marvel factory is indeed a factory, stamping out pre-sold intellectual property widgets with movie stars and the best visual effects that money can buy, but even their least ambitious products work. This one doesn't. It's defective, a discard, a huge ball of metal and plastic and spandex, all fused together. It's impossible to tell what it was supposed to be. Matt Zoller Seitz Matt Zoller Seitz is the Editor at Large of TV critic for New York Magazine and and a finalist for the Pulitzer Prize in criticism. Now playing Film Credits Fantastic Four 2015 Rated PG-13 for sci-fi action violence, and language 100 minutes Latest blog posts about 1 hour ago about 4 hours ago about 5 hours ago 1 day ago Comments In the distant annals of movie history there was a film called Fantastic Four, which chronicled the superpowers of five scientists. Following an intergalactic expedition, the quintet found their DNA irreparably transformed. Suddenly, Dr Reed Richards could stretch his limbs to ludicrous lengths, his close friend Ben was mutated into a walking rock face, Sue Storm was able to turn herself invisible and her brother Johnny kept on changing into a flying fireball. That was all of ten years ago and now, in the age of the reboot, it doesn’t seem absurd to revisit the franchise Fantastic Four Rise of the Silver Surfer was released just eight years ago. Thanks to Batman Begins and its abundant successors, reboots have become the norm and are generally darker, more intelligent and less cheesy than their predecessors, while harking back to the origins of their source material. The 2005 Fantastic Four was certainly cheesy and OTT, allowing this latest reboot to be eminently superior. It marks the second directorial outing for Josh Trank, he who was responsible for probably the best found footage thriller,’ Chronicle 2012. Once again Trank has opted for talent over star power, thus staffing his fantasy with genuinely creditable actors Miles Teller, Michael B. Jordan, Kate Mara, Toby Kebbell, Reg E. Cathey. Starting his story in 2007 the year Rise of the Silver Surfer was released, the film shows Reed Richards as an über-nerd schoolboy whose IQ is way above that of his teachers. His school project is teleportation, which seems beyond the comprehension of his peers and professors, although today scientists are beginning to believe in its feasibility, particularly with the advances in graphene application. Of course, this is the fun bit, because bright children who know better are always good for a laugh, and as Reed morphs into the grown-up Miles Teller from Whiplash fame, he proves to a government-sponsored research institute that he might be on to something. And so the preternaturally youthful Teller, Mara, Jordan, Kebbell and Jamie Bell the latter, erstwhile Billy Elliot, now being 29, play with their quantum physics to engaging effect. All this is enormously entertaining, and even vaguely credible, until the second half of the film kicks in and the silliness begins. Just three weeks ago, the Marvel Comic Universe proved with Ant-Man that less could be more, but the new Fantastic Four is bit of a step back. The special effects aren’t even that special by today’s standards and some of the teleportation stuff is more Dr Who than Interstellar. Still, Josh Trank’s universe is not about the CGI, it’s about the ideas, and with a terrific score from Philip Glass and Marco Beltrami, and the actors involved, it holds its own in a very crowded Marvel CAMERON-WILSONCast Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Dan Castellaneta, Chet Josh Trank, Pro Simon Kinberg, Matthew Vaughn, Hutch Parker, Robert Kulzer and Gregory Goodman, Screenplay Jeremy Slater, Simon Kinberg and Josh Trank, Ph Matthew Jensen, Pro Des Chris Seagers, Ed Elliot Greenberg and Stephen Rivkin, Music Marco Beltrami and Philip Glass, Costumes George L. Entertainment/20th Century Fox/Constantin Film/Marv Films/Kinberg Genre/Robert Kulzer Productions/Hutch Parker Entertainment/TSG Entertainment-20th Century mins. USA/UK/Germany. 2015. Rel 6 August 2015. Cert. 12A. TRAILER 111 Play all videos What to know Marred by goofy attempts at wit, subpar acting, and bland storytelling, Fantastic Four is a mediocre attempt to bring Marvel's oldest hero team to the big screen. Read critic reviews Fantastic Four Rise of the Silver Surfer Rent/buy Rent/buy Subscription Buy Fantastic Four videos Fantastic Four Trailer 1 TRAILER 111 Fantastic Four Photos Movie Info Scientist Reed Richards Ioan Gruffudd persuades his arrogant former classmate, Victor von Doom Julian McMahon, to fund his experiments with cosmic energy. On von Doom's space station, the crew - including astronaut Ben Grimm Michael Chiklis, researcher Sue Storm Jessica Alba and pilot Johnny Storm Chris Evans - are exposed to a mysterious cosmic storm that bestows super powers upon them. As they cope with their transformations, von Doom vows his revenge. Rating PG-13 Suggestive ContentSequences of Intense Action Genre Action, Adventure, Fantasy Original Language English Director Tim Story Producer Chris Columbus, Avi Arad Writer Mark Frost Release Date Theaters Jul 8, 2005 wide Release Date Streaming Dec 6, 2005 Box Office Gross USA $ Runtime 1h 46m Distributor 20th Century Fox Production Co 1492 Pictures, 20th Century Fox, Marvel Enterprises Sound Mix Dolby SRD, SDDS, Surround, DTS Aspect Ratio Scope Cast & Crew News & Interviews for Fantastic Four Critic Reviews for Fantastic Four Audience Reviews for Fantastic Four Jun 20, 2016 This movie was just not that great. Script was pretty flat and the film was just not that entertaining. The effects, especially with Johnny Storm, were pretty good but that was about it. Julian McMahon as Victor Von Doom was about as good as the acting got and that's not saying much. Nov 25, 2013 It's watchable, and would probably benefit from going for some M-rated content. And some of the casting was atrocious. The casting of Chris Evans Scott Pilgrim VS The World, The Losers, Push, Sunshine, Cellular as Johnny Storm/The Human Torch was not one of these bad casting decisions. In fact, Evans, along with Australian actor Julian McMahon who is much more attractive than his father, Australian ex-Prime Minister, Sir William McMahon almost managed to salvage the film. McMahon portrays the antagonist, Doctor Doom. Other than the rest of the casting choices, I have a few more problems with this film. The depressingly fake mise en scène being among them; mainly the terrible direction of extras in the film. The fact that these completely normal people are whacked straight in the face with a super-power granting cloud, 15 minutes in to a two hour plus film, without ever really finding out about how they lived as humans, also doesn't go very far towards helping their case. Sure it's loud, but in an effects driven action film, that has terrible effects, you have to push really hard to come up with something good, and Fantastic 4 did not push hard. It'll be very interesting to see what happens from here. I know there's a rubbish sequel and all but that's not what I mean. I'm talking about Captain America The First Avenger. Chris Evans is playing the eponymous protagonist in the film, which is another Marvel pump-out. So, despite the comics all being intertwined, it doesn't really seem like Johnny Storm and Steve Rogers will never meet. Unless they reboot Fantastic 4, which I wouldn't mind except that they wouldn't be able to have the only good choice of the 4 not being able to reprise his role. All in all I could basically take it or leave it. Fantastic 4 is not the kind of film that makes me want to kill myself after watching, but it probably wasn't worth watching the second time round I just put myself through to write this review. Sure there's about a scenes worth of human emotion, and a grand total of probably two laughs, and I could understand that there's people out there who do like the film. But from my point of view, I honestly gotta say I'm glad that Marvel left this kind of film style behind. -Gimly Super Reviewer Mar 18, 2013 Competent entertainment, and a fun feuding dynamic between youngish heroes not quite ready for the limelight, but it's basically just the Marvel Origin Story Template applied once more. Jessica Alba can't act, but Julian McMahon as Dr. Doom is one of the better villain performances in this stable. Meh. Super Reviewer Nov 18, 2012 Pretty good superhero film, The story was a little silly, Acting not very clever, Quite entertaining though, Some good effects and action makes it worth watching. Super Reviewer Fantastic Four’ Movie Review How bad is this reboot of Marvel's first superheroes? Worse than you can imagine The latest reboot of the Fantastic Four — the cinematic equivalent of malware — is worse than worthless. It not only scrapes the bottom of the Marvel-movie barrel; it knocks out the floor and sucks audiences into a black hole of soul-crushing, coma-inducing dullness. And, guess what, it’s an origin story. That’s right. A gifted young cast Miles Teller, Kate Mara, Jamie Bell, Michael B. Jordan has been hired to freshen the plot, like an old whore trying to pass as jailbait. No go. Trending Director Josh Trank Chronicle, who wrote the soggy script with Simon Kinberg and Jeremy Slater, takes forever to get things going. Reed Richards Teller, acting NAÏVE in capital letters is a science prodigy recruited by Dr. Franklin Storm Reg E. Cathey to join his rogue think tank. Storm’s adopted daughter Sue Mara is a willing participant. His car-crazy son, Johnny Jordan, not so much. Mara and Jordan are given nothing to act so you can only watch as they lose the will to try. Toby Kebbell as Victor Von Doom, Dr. Storm’s embittered pupil, overcompensates by overdoing everything. But he’s the bad guy. You can tell because he keeps giving shit to Reed’s BFF, Ben Grimm Bell. Everyone pretends to be excited by Reed’s invention, a teleporter which can transport a monkey into an alternate dimension. Since this movie has no dimension at all, everyone is envious of the monkey. So, of course, they jump into the teleporter and gets transformed into — spoiler alert! — the Fantastic Four. Except nothing about this misbegotten, cynical attempt at franchise-rebuilding is fantastic. That includes the crude, cheap-looking, unspecial effects that turn Reed into the stretchy Mr. Fantastic, Johnny into the Human Torch, Sue into the Invisible Woman and Ben into a pile of rocks called The Thing. Fantastic Four is a pile of something, too. You fill in the blank. Ultimate Avengers 2 Rise of the Panther Bionicle The Legend Reborn Dragonheart A New Beginning Justice League The New Frontier The Fantastic Four Photos Movie Info Four astronauts are exposed to cosmic rays and develop superpowers. Rating PG Sci-Fi Action Genre Action, Adventure, Sci-fi, Fantasy Original Language English Director Oley Sassone Producer Steven Rabiner Writer Craig J. Nevius, Kevin Rock Runtime 1h 30m Production Co New Horizons Picture Cast & Crew News & Interviews for The Fantastic Four Critic Reviews for The Fantastic Four Audience Reviews for The Fantastic Four There are no featured reviews for The Fantastic Four because the movie has not released yet . See Movies in Theaters

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